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Penguin, ±·; repr. ±)
Vassallo, Peter, Byron: The Italian Literary In¬‚uence (New York: St Martin™s Press,
±)
Walker, Keith, Byron™s Readers: A Study of Attitudes Towards Byron ±±“±
Romantic Reassessment No.  (University of Salzburg, ±·)
Ward, Herman M., Byron and the Magazines ±°“±, Romantic Reassessment
No. ± (University of Salzburg, ±·)
Ward, J.A., The Critical Reputation of Byron™s Don Juan in Britain, Romantic Re-
assessment No. ± (University of Salzburg, ±·)
Ward, Thomas Humphry, The English Poets: Selections with Critical Introductions by
Various Writers, µ vols. (London and Basingstoke: Macmillan, ±°; repr.
±±±)
Warton, Joseph, An Essay on the Genius and Writings of Pope, nd edn,  vols.
(London, ±·“)
Warton, Thomas, The History of English Poetry from the Close of the Eleventh to the
Commencement of the Eighteenth Century,  vols. (London, ±··“±)
The Poetical Works of the late Thomas Warton, B.D., (ed.) Richard Mant,  vols.
(Oxford, ±°)
Watkins, John, ˜Byron and the Phenomenology of Negation™, Studies in Romanti-
cism  (±°), µ“±±
Weinbrot, Howard D., ˜History, Horace, and Augustus Caesar: Some Impli-
cations for Eighteenth-Century Satire™, Eighteenth-Century Studies · (±·),
± “±
Alexander Pope and the Tradition of Formal Verse Satire (Princeton University Press,
±)
±
Bibliography
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(Cambridge University Press, °°°)
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Wolcot, John, The Works of Peter Pindar . . . To which is pre¬xed Some Account of his
Life,  vols. (London: Walker and Edwards, ±±)
Wolfson, Susan J., ˜Keats™s Isabella and the “Digressions” of “Romance”™,
Criticism · (±µ), ·“±
˜Couplets, Self, and The Corsair™, Studies in Romanticism · (±), ± “µ±
˜“Their She Condition”: Cross-Dressing and the Politics of Gender in Don
Juan™, ELH µ (±·), µµ“±·
“A Problem Few Dare Imitate”: Sardanapalus and “Effeminate Character”™,
ELH µ (±±), ·“°
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Wollstonecraft, Mary, Political Writings, (ed.) Janet Todd (Harmondsworth:
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±·)
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University Press, ±)
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Woodstock Books, ±±)
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Stephen Gill (New York and London: W.W. Norton, ±·)
The Letters of William and Dorothy Wordsworth, (ed.) Ernest De Selincourt,
nd edn, The Middle Years, ±±“±°, (rev.) Mary Moorman and Alan
G. Hill (Oxford University Press, ±·°)
Poetical Works, (ed.) Ernest De Selincourt (Oxford and New York: Oxford
University Press, ±; repr. ±µ)
Wordsworth, William and Samuel Taylor Coleridge, Lyrical Ballads, (eds.)
R.L. Brett and A.R. Jones (London: Methuen, ±; repr. ±·)
Worton, Michael, and Judith Still (eds.), Intertextuality: Theories and Practices
(Manchester University Press, ±°)
Yeats, William Butler (ed.), The Oxford Book of Modern Verse, ±“±µ (New York:
Oxford University Press, ±)
˜Z™, ˜The Cockney School of Poetry, No. ©™, Blackwood™s Magazine  (±±), µ±“
Index




Abrams, M.H. µ, ± Beaty, Frederick L. ±°, ±·, ±±
Natural Supernaturalism ± Byron the Satirist ±±
advertising µ, ±· Beaumont, Francis and Fletcher, John 
Philaster “, 
Akenside, Mark
The Pleasures of Imagination  Beecroft, Mrs 
Al¬eri, Vittorio ±· Beerbohm, Max ±
Amarasinghe, Upali ·, ±· Behman, Jacob ±µ
America , ±± Behrendt, Stephen C. ±°
Anacreon ±° Bennett, Andrew , ·
anti-homosexuality µ Bernini, Lorenzo °
aporia  Bible ±µ
Ariosto °, , ±°± Daniel ±
aristocrats ·,  Deuteronomy °
Aristotelian criticism ·, ±°n Old Testament ±±
Auden, W.H. , ±µ Psalms ±
Augustanism µ, ·, , ±··, °·n ˜Big Six™, the , ·
Austen, Jane , µ, ±µ biography 
Northanger Abbey µ Bishop, Elizabeth
Persuasion , ±µ ˜The Bight™ ±·
Pride and Prejudice ±µ ˜The Map™ ±
authority , ± Black, Joel Dana ±°
Blackstone, Bernard ·µ
Babbitt, Irving “·,  Blair, Hugh 
Lectures µ
Baillie, Joanna
A Series of Plays ± Blessington, Lord and Lady , ±°, ±·, ±“
Bloom, Harold µ, ·, ±°°, ±°, ±±°, ±·°
Bakhtin, Mikhail
carnival and chronotype ±, ± Clinamen ·, ±°°
Baldick, Chris · Tessera ·, ±°°
Barbauld, Anna , ±, µ,  see also in¬‚uence
Eighteen Hundred and Eleven µ body, the µ·, ±µ, ±
Boileau, Nicholas , ±°n
Baring, Alexander, ¬rst Baron Ashburton
± Bolingbroke, Henry St John, ¬rst Viscount °,
Barrell, John , ° ±·µ
Barthes, Roland ·, ±, ·±, ±±± Bonaparte, Napoleon , , ±, ±·, ±,
The Pleasure of the Text ±°“µ ±·, ±, ±, ±°, ±±, ±, ±
Barton, Anne ··, ±±°“±± Bounty, The, mutiny on ±
Bate, Jonathan , ·°, ·, ±°“±°, ± Bowie, Andrew ±
Baudrillard, Jean  Bowles, William Lisle , ·°, , °, ·, ±°,
Beattie, James ±, ,  ±°, ±·
Beatty, Bernard ±, ±, ±µ°“± see also Pope, Alexander, Pope/Bowles
Byron™s Don Juan ±µ° controversy



Index
Boyd, Elizabeth French ±, ± Regency dandy, as ±
British foreign/economic policy µ, ±·, rocking-horse glee ±·
±“±, ±, ±µ shifting political identity ±± “
British Library µ sister ±°°, ±n
Brougham, Henry Peter, Baron · theatricality °, ±
Brower, Reuben ± visit to Churchill™s grave ·
Browning, Elizabeth Barrett ,  voting in Lords ±, , ±“
Aurora Leigh ±° (ii) writings
letter to Miss Mitford ± Age of Bronze, The ±°, ±, ±, ±, ±, ±“·,
˜Stanzas on the Death of Lord Byron™  ±·, ±·, ±·, ±·“, ±, ±, ±µ, ±
Browning, Robert ±° Beppo , °“±, , , , µ°
Burdett, Sir Francis , , ·, ±, ± Cain ±°°, ±°±
Burgess, Sir James Bland ± Childe Harold™s Pilgrimage µ“, ±±, ±, °“±, ,
Burke, Edmund ±, , ·, ±, ,  , °, ±, , µ, ±µ, ±±, ±, ±,
Byron, Lady ±, ± ±“·, ±··, ±± n, ±n
canto ©©© , ±µ
Byron, George Gordon, Lord
canto © °, ·, ·µ, ±·
(i) biographical details
alleged instability  early cantos ±, °, , µ, , ··
anti-Romantic, as ± ˜Churchill™s Grave™ ·
aristocratic identity/disillusion ±, , , Complete Miscellaneous Prose, The , ·, ±°,
, µ, , , ±·, ±°“±, ±, ±, ±±, ±°, ±
n Complete Poetical Works, The “·°
arms/crest  Corsair, The , ±·, ±, ±, ±
biograph/y/ical myth “, “±°, ±, ±µ Deformed Transformed, The ±±±, ±·, ±±, ±
Busby incident “· ˜Detached Thoughts™ ±·“
casinos in Venice ±“ Don Juan , µ, , ·, , ±°, ±±, ±“±, ±, ±µ,
death “, ± ±, °, , , ±, , , µ, , ·,
˜divorce™ from publisher ± “°, ±, ·±, ·, ··, ·, , , µ, ,
Drury Lane Theatre µ,  , µ, , , ±°µ, ±°“·±, ±·, ±·, ±°,
epic style µ ±±, ±, ±, ±µ, ±, ±·, ±, ±“°,
¬nancial affairs ±“, ±, ± ±, ±·
¬rst political readings of “µ cantos ©©© and © , ±°°, ±°±, ±, ±
friends ±, , ·, ±, ±µ, ±, ±·· canto  , , ±°°, ±°, ±
Guiccioli marriage °, ± cantos  and © (writings between)
increasing professionalism ± ±“
in¬‚uence of Charles Churchill ·“µ· canto © (˜harem episode™) ±, , µ, µµ,
, ±°°“±, ±°, ±±± “°, ±, ±·
involvement in Portsmouth/Hanson scandal
±± cantos ©© and ©©© (˜siege cantos™) ±, ±,
isolation at Lake Leman ± , , ±°°, ±°, ±± “µ, ±, ±°“±,
leaving England ±, ±, , , , ±°, ±n ±·
letters , µ, , ·, ±, “, ·“, °, , cantos  and xi ±“·
µ, , ±“, ±°, ±, ±·, ±·“·, ±·, cantos ©© and ©©© (writings between) ±,
±± “, ±, ±, ± n ±·
library, sale of ±, , , , ±· canto ©©© ±, ±“·±
manservant ° canto  
marriage/settlement and separation ±, ±, ˜English cantos™ ±, ±, ±, ±·, ±,
, , ± ±, ±µ, ±µ±, ±µ, ±±, ±, ±µ, ±,
meditation on gambling ±·“ ±·°, ±·
mobilit´ , ±, ±, ±·“±n ˜Russian cantos™ ±“
e
peerage ±°, ±· dramatic writing °, ±±°“±±
˜perversity™ °, , , · English Bards and Scotch Reviewers ·, ·°“±, ·,
political ˜ownership™ of his verse ± , ±°, ±·, ±··, ±
possible return to England ± ˜Epistle to Hobhouse™ 
Ravenna Journal µ ˜Fare Thee Well™ 
Ravenna shooting incident  ˜Farewell Petition to JCH Esq.™ °
 Index
Byron, George Gordon, Lord (cont.) Chateaubriand, Francois-Ren´ , viscomte de
e
˜Farewell to Malta™ °, ± “ ±°
Fugitive Pieces ±° Chaucer, Geoffrey ±°, ±·µ
Giaour, The , °, · Christensen, Jerome , µ
Hints from Horace ±°, ±, ·µ, ±, , ±, “, Christianity 
±°°, ±°±, ±, ±·, ±· Churchill, Charles ±, ·“µ·, µ, µ, ±°, ±±
Hours of Idleness ±°, µ ˜An Epistle to William Hogarth™ µ
Island, The ±, ±·, ±·, ±·, ±±, ±, ±·, ˜Dedication to the Sermons™ ±
±±, ±“· ˜Duellist, The™ µ±
˜Isles of Greece, The™ ±· Ghost, The µ°“, °n
Lara , ·, ·µ Gotham , µ
Letter to John Murray Esqre. ±°, , , µ, , Independence µ°
±°°, ±°, ±· Journey, The µ°
Manfred ±, “, ± Rosciad, The µ“·
Marino Faliero , ±±µ, ±“, ±° see also Tooke, William
Memoirs ± n Cixous, H´ l` ne ±, ±µ
ee
˜Observations Upon Observations™ ±° class , , , µ, ±°, ±·, ±
˜On Southey. Detached Thought™ ±µ classical education/ideals/myths ±, ·, ,
, , µ, ·, µ, , ±°, ±±“±µ, ±µµ,
˜On this day I complete my thirty sixth year™
±· ±·, ±·, ±°, ±, ±°
˜Parenthetical Address, by Dr. Plagiary™ “· see also Horace
Poems (±±)  Cobbett, William , , ·
Poems on His Domestic Circumstances  Cochran, Peter ±
Sardanapalus ±· Cockney School ·, , , ·, °, ±°, ±°,
Siege of Corinth, The ±“· ±±, ±·µ, ±·, ±°
coffee house society µ·
˜Some Observations Upon an Article
in Blackwood™s™ ±°±, ± Cohen, Francis (Francis Palgrave) , “,
˜To a Lady Weeping™ ±· ±
˜To the Earl of Clare™ µ“ Coleridge, Samuel Taylor ±±, ±, °, , ± “,
Vision of Judgement, The µµ , , ±, ±, ±±
Werner  Biographia Literaria ·
Byronic hero, the , ·, ±°, ± ˜The Rime of the Ancient Mariner™ ··
Colman, George “µ, 
Cambridge education ·µ,  Colman, George (the Elder) “µ, 
Campbell, George ±, ,  commodi¬cation , ±, ±
˜Ship™ ±° Conder, Josiah , ±
Canning, George , ±·, ±, ±·°, ±, ±±, conduct literature ±µ·
±n Congress/of Verona/system ±, ±·, ±, ±°,
canon(s) , · ±±, ±
Congreve, William , ±°
Carlyle, Thomas
Sartor Resartus ±° Love for Love “
Castelnau, Gabriel de, Marquis ±, ±, ±µ Mourning Bride, The 
Casti, Giambattista  Conrad, Peter
Castlereagh, Robert Stewart, Viscount ±°, Shandyism: The Character of Romantic Irony
±“, ±°, ±±, ±, ± ±“µ°
Catherine the Great ±“ Cooke, Michael G. , ±°
Cato Street Conspiracy µ, ±· country house ±°, ±±
Catullus ±°, ±· Cowper, William µ, ±, n
Cawthorne, James ··, ± Cox, Jeffrey 
censorship ±, , · Crabbe, George ±
Centlivre, Susannah  Croker, J.W. µ, ·“, “µ, ·
Cervantes Saavedra, Miguel de ±±, ±· Croly, George 
Don Quixote ±· Cronin, Richard , °, ±·“
In Search of the Pure Commonwealth 
Chandler, James
England in ±± µ Crowe, William 
µ
Index
cultural hierarchy/high and low culture µ· female sexuality/experience ±µ“µ, ±µ·
Curll, Edmund ±· feminine, the , “, ±, ±, ±µ, °, , “·,
Curran, Stuart , ±° , µ, , µ, µ, ±±, ±±, ±±, ±± “,
Curtis, Paul ±“° ±·“, ±·°, ±·, ±·µ, ±, ±“, ±n,
Curtis, Sir William ±±, ±, ±± n
see also women readers and writers
Dallas, Charles “,  feminism ±, ±, ±µ, ±±
Dante Alighieri µ, ±± Fenelon, Francois ±±
Darwin, Erasmus ±± Fielding, Henry ±°±, ±°
de Almeida, Hermione  Amelia ·
de Man, Paul · ¬lm µ, 
De Quincey, Thomas ±, · Chinatown 
de Sta¨ l, Madame ±µ“ Foote, Samuel ·
e
De La Litt´rature ±µ formalist criticism ±
e
deconstruction µ, , ±µ, ± Forteguerri, Niccolo °
democracy/idea of , µ, ·, , ,  Foscolo, Ugo “°, 
Derrida, Jacques ± Fowler, Alastair ·
jouissance ± Fox, Charles ±, ±µ
desire ±, ±° Fox, Henry µ
Diakonova, Nina ± France , , ±
difference , ±°, ±±°, ±, ±° Paris ±
displacement , ±µ Revolution ·, ±, µ, 

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